BhUtham and pEy AzhwArs : Birthday Tributes: part 3
From the Bhakti List Archives
• October 31, 1998
October 30, 1998 Dear BhakthAs :We will conclude the series of postings today on the Mudal AzhwArs .Please read it with the earlier postings on Swami Sri Desikan's Sri DehaLIsa sthuthi, where reference is made to many of the Paasurams of the Mudal AzhwArs . Birth places and amsams ************************ BhuthatthAzhwAr was born inside a fragrant Maadhavi Pushpam at Thirukkadanmallai divya desam , where Sthala sayana PerumAl is the ArchA mUrthy . He is the amsam of GoumEdaki, the gadhai of Sriman NaarAyaNA . Iypaasi avittam is his birth day . Today , it overlaps with Sathayam , the birth star of pEy AzhwAr , who was born in modern day Myalpore , where the ancient sannadhi of Adhi Kesavap PerumAL is located. In that sannidhi , there is a well and inside that well blossomed a red lilly flower and pEy incarnated inside that flower . pEy AzhwAr is the amsam of the sword(nandakam ) of the Lord . All the three AzhwArs are pushpa Jaathars and are therefore ayOnijars(not born out of human bodies ). MangaLAsAsana sthalams ********************** Poygai performed mangalAsasanam for 7 ArchA mUrthys of divya desams ; BhUtham and pEy saluted 13 and 15 ArchA murthys respectively . BhUtham sang about the following divya desams : (1) Atthigiri VaradarAjan (2)Srirangam (3) Thirukkadanmallai (4) Thirukkudanthai (5) ThirukkOttiyUr (6)ThirukkOvalUr (7) Thiru TanjaimAmaNik Koil (8) Thirut taNNkAl (9) Thiru Neermalai (10) Thirup paaDakam (11)Thirup paaRkadal (12)ThirumAlirumchOlai and (13) ThiruvEnkatam . pEy AzhwAr performed MangalAsAsanam at the following fifteen Divya desams : (1) Thiru Attabhuyakaram (2) Atthigiri VaradarAjan (3) Srirangam (4) ThiruvallikkENi (5)ThirukkaDikai (6) Thirukkudanthai (7) ThirukkOttiyUr (8) Thirp paramapadham (9)Thirup paaDakam (10)Thirup paaRkadal (11) ThiruviNNagar (12) ThiruvehhA (13)ThiruvEnkatam (14) ThiruvELukkai and (15) ThirumAlirumchOlai . BhuthatthAzhwAr's Sri Sookthi: Second ThiruvandhAthi **************************************************** There are 100 beautiful passurams with great Bhagavadh anubhavam in this Sri Sookthi . The three AzhwArs have been linked to Para Bhakthi, Para Jn~Anam and Parama Bhakthi respectively . In reality , each of them had the good admixture of all the three types of Bhagavadh anubhavam . For the sake of coherent linking , the three AzhwArs distributed their Vaachika kaimkaryams . Poygai felt that the Lord has to be seen with the most magnificient external lamp and hence used the radiant Sun as the external lamp (ViLakku).BhUtham taught us that the inner radiance of one's Jn~Anam has to be used to enjoy the Lord and that the external ViLakku without Bhagavadh Kaamam (anbhu ) will not help to attain Bhagavadh Darsanam . Thus both the lights were lit and the beneficiary was pEy AzhwAr , who in his ecstasy declared " ThirukkanDEn , PonmEni KanDEn " .He Qualified the Lord as mahAlakshmi (Thiru) samEtha NaarAyaNan ( Sriman NaarAyaNan )and performed his mangaLAsAsanam . Poygai in his 86th pasuram of mudal ThiruvandhAdhi enjoyed the same sEvai of the Lord , the nir-vyAja suh*ruth, with MahA Lakshmi and referred to his aanandhAnubhavam this way , while he stood squeezed with his fellow AzhwArs at the dEhaLi of MruganDu Maharishi's aasramam : "neeyum ThirumahaLum ninRAyAl --" ( Oh My Lord ! What a BhAgyam to have your darsanam with your divine consort , here at the tight space of the rEzhi at ThirukkOvalUr !) BhUtham salutes the divine consort , MahA Lakshmi as he experienced the divya darsanam of Sriman NaarAyaNan this way in his 60th pasuram of the Second ThriuvandhAthi : " Ohr uruvan allai oLi uruvam ninn uruvam " Here the AzhwAr specifically points out to the JyOthi of MahA Lakshmi , which lights up the dark body of the Lord like a lightning reveals the contour of the dark cloud of the rainy season . Swami Desikan in his Sri Sthuthi followed this thought and declared that the divine couple have a unified , inseparable presence ( yEka sEshithvam ) and accept the havis (sacred offering ) of the AathmA during the yaagam of Prapatthi TOGETHER .Therefore , Swami Desikan stated along the lines of reasoning shown by the Mudal AzhwArs and the subsequent AchAryAs rooted in Vedham that " sruthInAm bhaavArUDou BHAGAVATHI YUVAAM DAMPATHI DHAIVATHAM NA: " . This YekasEshithva Yogam of this divine couple is celebrated by pEy AazhwAr in the very first Paasuram of his Third ThiruvandhAdhi , where he breaks out in rapture over the darsana soubhAgyam of MahAlakshmi Sametha NaarAyaNan (Sriman NaarAyaNan ): " Thiruk KaNDEn ponn mEni kaNDEn Thihazhum arukkanaNI niRamum kaNDEn--" . Here pEy AzhwAr raptourously states that he has now seen Periya PirAtti , who is PurushakAram , UpAyam and upEyam shining radiantly from Her seat on the chest of BhagavAn .Thus the vision of the three AzhwArs is an unified one . BhUtham stated that he lit the lamp of Jn~Anam to see the Lord ( Jn~AnacchuDar ViLakkERRinEN NaaraNarkku --" ).In his 20th paasuram, BhUtham reveals that only those who reflect on Sriman NaarAyaNA at all the three sandhis and meditate upon the true meanings of His thousand names will have the blessed life leading to Moksham : " pazhi paavam kai ahaRRip palkAlum ninnai vazhi vAzhvAr vAzhvArAm --". BhUtham mentions to Sriman NaarAyaNA in his last paasuram that the love he has for Him is boundless : "yenRan aLavenRaal yaanudaya anbu ( yaanudaya anbu yenn tann aLavu anRu) ".Here AzhwAr confesses that his anbhu (prIthi) for the Lord is beyond measurement and is limitless . In his Second ThiruvandhAthi , BhUtham points out that Bhagavadh prIthi is the most important element and all the senses should be engaged in Bhagavadh divya guNAnubhavam incessantly .He points out further that the Lord is Aasritha sulabhan and that we should hail aloud His divya naamAs along with those of His PirAtti and that kind of existence during one's life here would surely help us attain Moksha Phalam and nithya KaimkaryAnugraham at Parama padham . pEy AzhwAr's anubhavam in Third ThriuvandhAthi ********************************************** pEy is revered in our sampradhAyam as the AchAryaa of Thirumazhisai AzhwAr and ANDAL .Therefore , we need to say very little about the glory of this AzhwAr and his prabhandham .He starts paying his tribute to Periya Piratti in the Vedhic way in his first paasuram :HiraNya varNAm HariNIm " (ThirukkaNDEn ponn mEni kaNDEn ). In the second paasuram , he acknowledges that in the light of the golden , lightning like hue of Periya Piraatti , he has the ability now to have the darsana soubhAgyam of the sacred feet of the Moksha Pradhan , the Lord : " inRE kazhal kaNDEn yEzh piRappum yAn aRutthEn". I have seen today the holy feet of the Lord and thereby cut asunder the cycles of births and deaths for good. That is the nature of the anubhavam of pEy , the God- intoxicated AzhwAr . pEy AzhwAr celebrates the auspicious divya guNAs of Sriman NaarAyaNA such as soulabhyam and souseelyam through salutation to Him at a number of His divya dEsams : viNNagaram vehhA viri thirai neer vEnkatam maNNagaram maamAda vELukkai -maNNahattha tenn kudanthai tEnAr Thiruvarangam thennkOtti tan kuDankai neerERRAn thAzhvu --62nd pasuram Here , ThiruviNNagaram ( Oppiliappan ), ThiruvehhA (yathOkthakAri), ThiruvEnkatam (SrinivAsan ), vELukkai ( KaamAsikA narasimhan ) , Thirukkudanthai AarAvamudhan , Sri Ranganaathan of Srirangam , ThirukkOshtiyUr Soumya NaarAyaNan are equated as identical in prowess and the Lord's ArchAs at these divya dEsams are eulogized . In his final paasuram of his third ThiruvandhAthi , pEy AzhwAr concludes on the same note with which he started his prabhandham . He revealed in his first Paasuram that he saw Periya PirAtti ( Thiruk kaNDEn ) ; he concluded his final (100th paasuram ) this way :"sArvu namakku yenRum --vaNDAMarai nedumkaNN tEnamarum poo mEl Thiru " . Azhwar asserts here that Periya Piratti residing on the golden lotus is ALWAYS OUR REFUGE .She stays on the Lord's chest forever and does not leave that spot even for the fraction of a second (ahalahillEn iRayumenru alarmEl mangai uRaihinRAL ). Until Her purushakAram comes our way , there is no way in which we will receive BhagavAn's anugraham .She is therefore " THE UPAAYAM ". She then stands together with Her Lord as UpEyam as well . Therefore , Her grace protects us both before and after Prapatthi . pEy AzhwAr uses the word "vaNN " in his final pasuram, when describing the auspicious qualities of Periya PirAtti . The word "VaNN" means the most generous , compassionate Mother ( UdhAra SvarUpi). Abhinava Desikan , Sri UttamUr Swami cites the intrepretation of ParAsara Bhattar in connection with the UdhAra souseelyam of Periya Piraatti in his Sri Sooktham VyAkhyANam : Eisvaryam akshara gathim paramam padham vaa kasmaichith anjaliparam vahathE vidheerya I asmai na kimchith uchitham krutham ithyathAmbha tvam lajjasE kathaya kOyam udhAra bhaava: II After conferring MahA Isvaryam , the eternal state in parama padham for the mere holding of our palms together before You , You , my dear Mother shyly wonder whether You have done enough for us.Such is Your unmatched generosity ! In the spirit of Sri Sooktham (the Khila Rk of Rg Vedham ) , pEy Azhwar rightfully starts his prabhandham with the declaration " ThirukkaNDEN " and concludes his andhAthi with the concession , " taNN thuzhAi taazh varai maarbhan muyangum THIRU ". Here " the anyOnya lakshyam " of the divya dampathis is celebrated in the traditional vEdhic way .pEy AzhwAr states that the Lord with His chest adorned by the cool TuLasi garlands can not function and go about performing His duties as SaraNAgatha Rakshakan without Her power . Hence , He tightly embraces Her on His chest so that She does not leave Him even for a fraction of a second. She has no intention of leaving Him either even for a vinADi . Such is the anyOnya Bhaandhavam (relationship ) of our divine parents . The three Mudal AzhwArs through their illustrious andhAthis revealed the rahasyArthams behind Prapatthi and instructed us that Periya Piraatti goes before the Lord just as PraNavam precedes the Vedham . Mudal AzhwAr ThiruvadigaLE SaraNam , Oppilaippan Koil VaradAchAri SadagOpan
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