Ramaashtaka Krithis -- Fifth Vibakthi
From the Bhakti List Archives
• October 31, 1996
In the fifth Krithi of Sri Dikshithar's Ramaashtakam, we experience the Ananya Bhakthi of the composer. He says that he does not know any other God other than Sri Rama whom he worships.( Ramachandraadh anyam na Jaaneham --Pallavi ) . He recognizes Rama as Hari Hara Rupan . He describes Sri Rama as the amsa Bhoothan of both Vishnu and Sivan in the rest of the Pallavi . The whole Sahityam of this Samashti krithi set in Ragam Dhanyaasi and Jampa TaaLam is as follows : PALLAVI : RAMACHANDRAADH ANYAM NA JAANEHAM SRI HARI HARAATHMA RUPINOH CHARANAM: KAAMA JANAKAATH KATINA SUBAAHU MAARICHA KARA dHOOSHANAADHI MADA HARANAARTHKA RUPINO SAMASTHA SURA SANNUTHA SARA CHAPA PAANINO SARASA GURUGUHA SANGEETHA TATVA BODHINO(SR RAMACHANDRADH ANYAM NA JAANEHAM ). In the Charanam , Sri Dikshithar refers to the beauty of the Lord and recognizes Sri Rama s the father of the god of beauty, Manmatha. He refers to the Bala Khaandam incident , where Sri Rama as a young prince destroyed the arrogance of Subaahu and Maaricha , who caused havoc to the Yajnam of Sage Viswamitra. He also refers to the later episode in AaraNya Khaandam , where Single handedly , Sri Rama destroyed Kara and Dhooshana as well as the 14,000 ogres that accompanied them from Janasthaanam , the seat of Karaa , the brother of Surpanaka and RavaNaa . Karaa came to avenge the disfiguration of his sister by Lkshmana and to kill Rama . Rama met them single handedly and shined like great flame in the middle of darkness. Sage Valmiki describes Rama's apperance then as " BHABOOVA RAMASTIMIREH MAHAANGNIRIVOTTHITHA : " . A great Rama Bhaktha , Kulasekhara Azhwaar reacted to this passage of Ramaynaa in his court, when Puraanikaas described it. He was ovrcome at the thought of Sri Rama being surrounded by 14,000 ogres, he was overcome with fear for the safety of his upasanaa murthy . In aswift reflex, he ordered his army to accompany him and set forth on the mission to help Rama . The ministers intervened and reminded king Kulasekara of Kolli Naadu that Sri Rama battled the mighty assemblage of Rakshasaas and single handedly destroyed them . Kulasekhara was relieved and dismissed the asssembled army after hearing the news. Such was the Rama Bhakthi of Kulasekhara , who completed SampurNa Ramayanam in his 10 verses on Thillai Thiruchitrakudatthu Emperumaan in his Mangalaasaasanam . The famous slokam of Sage Valmiki that stirred Kulasekhara into instant action is : CHARURDASASAHASRAANI RAKSHASAAM BHEEMAKARMANAAM I EKASCCHA RAMO DHARMAATHMAA KATHAM YUDDAM BHAVISHAYATHI II ( HERE ARE 14,000 OGRES OF FEROCIOUS POWER AND DEEDS, WHILE THE DHARMAATHMAA RAMAN IS ALONE . HOW WILL THERE BE A FAIR BATTLE UNDER SUCH CIRCUMSTANCES ? ) This was the fear of Adi Kavi Valmiki that found a resonance in Kulasekhara. Sri Dikshitar refers to this when he salutes Vijayaraghavan as " kara Dhooshanaadhi mata haranaartha rupi " . The devas were watching this battle . Dikshitar refers to the assembly of Devas witnessing the Veeraragahavan' s appearnce in the battle field with his mighty Kodhandam as " SAMASTHA SURA SANNUTHA SARA CHAPA PAANI " . The musicc from the Dankaara dhwani of mighty arrows leaving Sri Rama's Kodhandam adorned with seven bells (saptha Svarams ) on top inspired Swami Desikan to compose a moving piece in the Yuddha Khandam section of his Rghu Veera Gadhyam that begins with " KATURATH ATANI DANKRUTHI CHATULA --- ". In the fourth and final line of this Krithi ,Dikshithar connects the musical sound from Kodhandam to the musical genius of Sri Rama, who has been described by Saint Thyagaraja as Sangeetha Sampradhayukudu and Nada Lola . This great Sangeetha PravaNan according to Dikshithar's sahityam is described as the one , who taught Guruguhan the intricacies of Nija Sangeetham (SARASA GURUGUHA SANGEETHA TATVA bHODINA: ) . The ananya Bhakthi of Dikshitar to Sri Rama is the heart of this Ashtaka Krithi , where he proclaims : " SRI RAMACHANDRADH ANYAM (DAIVAM ) NA JAANEHAM ". SRI RAMACHANDRA PARABRAHMANEH NAMA : Oppiliappan Koil Varadachari Sadagopan
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