Sri GuNa Rathna Kosam : Part X , Third SlOkam (cnclusion ).
From the Bhakti List Archives
• October 28, 2000
Sri RanganAyakyai Nama: In the previous posting , adiyEn mentioned : >We have now the context for the third slOkam >of Sri GuNa Rathna Kosam : > >anukala-tanu-kANDAlingana-aarambha-sumbhath >prathidisa bhujasAkha SrisakhAnOkahardhi: >sthana-nayana-guLuccha-sphAra-pushpadhvirEpA >rachayathu mayi LakshmI Kalpavallee katAkshAn Meaning of the slOkam given by Dr.V.N.Vedantha Desikan : ******************************************************* " The Lord is a veritable Kalpaka tree; Goddess MahA Lakshmi , a kalpaka creeper that has grown in close and fast embrace of the tree. The tree (that the Lord is) grows fast , prolifically , and with thousands of twigs and branches. These are His hands (and fingers) . They grow in all directions in an eager enthusiasm to surround His consort from all sides in tight embrace. If the tree growth is so much rich and fertile, the kalpaka creeper too draws rich sustenance and nutrient-rich blooming bunches --which are indeed the richly grown up breasts .Her eyes look like black beetles that hover round the flowers in the tree-creeper matrix. Both the tree and the creeper grow , as it were, in mutual support and nurture , to a rich panorama of flowers and beetles! Lakshmi in that context --May She shower Her rich rain of gracious kindliness on me and immerse me in that blessed bath! ". Additional comments (adiyEn): ***************************** In the first slOkam , Swamy Parasara Bhattar offered his anjali to Sri RanganAyaki : " Sriyai: kruthOnjali: ". In the second slOkam , the key words are: "SriRangarAja MahishIm Sriyam aasrayAma:".Here, He sought refuge at Sri RanganAyaki's sacred feet. In the third slOkam , the subject of coverage of today , the prayer is: " rachayathu mayi LakshmI Kalpavallee KataakshAn " ( May Sri RanganAyaki drench adiyEn with the nectarine showers of Her glances graciously and keep me soaked in that auspicious bath!). The prayer is set in the context of a Kalpaka tree (Lord RanganAthan )and Kalpaka creeper ( Sri RanganAyaki) in tight embrace.The effect of that intense embrace on the Lord and His divine consort is described with majestic poetic vision by Swamy ParAsara Bhattar in the first three lines of the slOkam . The First line : The tight embrace ************************************ " anukala-tanu-kANDAlingana-aarambha -sumbhAth " is the first Paadham . anu is a prefix that means along side , after or behind. "kala " means sweet , delicate and pleasing effect (asphashta maddhuram ).Anukala-tanu ( trunk of the kalpaka tree here) kANDAlinganam or the sweet and tight embrace of the Kalpaka tree (Lord) by the Kalpaka creeper (Sri RanganAyakee) is visualized here. The beginning of the tender and yet tight embrace between the Mithunam (couple ) leads to some dramatic happenings that are described in the second Paadham. The Second Paadham ******************* " prathidisa bhuja-saakha - SrisakhAnOkahardhi:" Once the creeper commences its embrace of the trunk of the kalpakA tree , latter ( the tree) grows prolifically and shoots out thousands of branches with verdant leaves. These branches are the Lord's hands rushing to surround and hold His consort from every side tenderly. The Kalpaka tree glistens with new leaves on its multitudinous branches the moment the creeper embraces it.It shines with new and ever increasing lustre every second. The branches stretch in every direction in an effort to return the embrace of the creeper (Sri RanganAyaki). The Third Paadham ******************* "sthana nayana guLaccha sphAra pushpa dhvirEphA " The Kalpaka creeper responds to the loving and tight embrace of the branches (arms of the Sahasra-hastha Sri Sakhan , Lord RanganAthan). The Kalpaka creeper of Sri RanganAyaki is adorned by two rich blooming bunches of flowers ( two sthanams) and two black bees ( Her karu vizhigaL / limpid , rapidly moving ,daya-laden , dark-hued eyes ). It appears as though the verdant tree is now rich with flower blossoms , which are the object of attention of the hovering bees . All these happened as a result of the anyOnyam of the dhivya dampathis of Srirangam . Both the tree and creeper support and nourish each other . Swamy ParAsara Bhattar paints a beautiful word picture of happenings in " the Tree-Creeper matrix". A flowering fruit tree in this world removes the taapams of the people through its shade giving properties. It blossoms and fills the air with its fragrance. It yields fruits .It serves as the Kozhu kompu (the leaning stick ) for the creeper near it. Both the creeper and the tree thrive thru this mutually reinforcing relationship.The Kalpaka tree representing the Lord is celebrated by the thousand branches of VedAs removes the Taapa Thrayams and comforts the prapannAs under His shade . The kalpaka creeper circling this Kalpaka tree reveals the anantha kalyANa guNams and sings the glories of the tree ( Lord RanganAthA).She reveals to all of us that Her Lord is the paradEvathai as a PathivrathA SirOnmaNi , while being His equal in every way . This passage reminds adiyEn of the passage in BhU sthuthi: " tvath sangamAth bhavathi Maadhavi Labdha pOsha: SaakhA sathai: adhigatha HarichandanOsau Here BhU devi/Maadhavi , the Sankalpa-kalpa LathikA ( One who grants the desired wishes of bhakthAs by Her sankalpam alone) is seen as the tender creeper circling the Harichandana tree of Lord and providing Him nourishment and strength (labdha pOsham)and enhancing His glory. Fourth Paadham: **************** "rachayithu mayi LakshmI Kalpavalli KatAkshAn " Here Swamy ParAsara Bhattar prays for those Daya-laden katAkshams of the KalpakA creeper to fall on Him and drench him with the anugrahams of Kaimkaryam to Her at Srirangam and nithya kaimkaryam to Her and Her Lord at Parama Padham . Srimath Azhagiya Singar ThiruvadigaLE SaraNam , Daasan , Oppiliappan Koil VaradAchAri SatakOpan -------------------------------------------------------------- - SrImate rAmAnujAya namaH - To Post a message, send it to: bhakti-list@eGroups.com Search archives at http://ramanuja.org/sv/bhakti/archives/index.html#SEARCH
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