Sri Badrinarayan's question on the absence of palasruthi
From the Bhakti List Archives
• November 13, 1997
Dear Sri Badrinarayan : Yes , Swami Desikan has commented on the absence of the palasruthi usually seen on the prabhandhams like this . It is in his vyAkhyAnam on Muni Vahana Bhogam that Sri Mani Varadarajan has referred to many times . As a part of the series that I am writing on Thirukkudanthai Desikan 's AparyApthAmrutha sOpAnam , I was going to cover it at length . I will write about this section now . As we know from the many postings on AmalanAdhipiraan , Swami Desikan had a great affection for these moving verses and created Bhagavadh DhyAna sOpAnam , Muni Vaahana BhOgam out of his extraordinary revenerence for ThiruppANar . Thirukkudanthai Desiakna considered as an aparaavatharam of Swami Desikan modelled his great affection for ArAvamudhan taking his cue from Swami Desikan's works and blessed us with his AparyApthAmrutha sOpaanam . Both Swami Desikan's Bhagavadh DhAyana sOPaanam and Thirukkudanthai Desikan's works include a pala sruthi verse to respectfully stay away from the unique experience of ThiruppANa Naathan , where he merged with the Lord after stating " yennamuthinai kanda kaNNgaL maRRonRinaikkANAvE " . In the above quoted passage , AzhwAr does not say Yenn amuthanai kanda YENN kaNNgaL . He states " yenn amuthani kanda kaNNgaL " . unitl this paasuram , he has been referring to himself as adiyEn , adiyEn . At this stage of his anubhavam of the sarvAngha soundharyam of periya perumAL , the afiliation with himself is gone . He forgets his name , his place of origin . It has been suggested that Lord RanganaathA made sure that there is no distraction to the AzhwAr in the deep experience of HIS athayantha soundharyam and lAvaNyam . It has been stated that the one who gained moksha saamrAjyam sings saama ghAnam according to Upanishads . AzhwAr engaged insuch an incomparable experience could not come down to refer to his coordinates or the fruits of the blessings of reciting his paasurams . He was " too far gone " to turn around to say a word of advise as an AchAryA . He was being pulled fast forward by the Lord's beauty and was hastening to merge with the AdhimUlam resting on the AdhisEshan at the kshEthram known as BhulOka VaikunTam . In the second line of the final paasuram , he states as to what had happened to his mind : YennuLLam kavarnthAnai ----( kanda kaNNgal maRROnRinaikkANAvE ) ". The heart has been stolen . The Lord's property hasbeen returned to the Lord . There is nothing left to talk about the erstwhile state as ThiruppANan from UrayUr . AzhwAr acknowledges that his eyes can not see anything or anybody else after experiencing the beauty of the Lord with his eyes. Swami Desikan points out that the AzhwAr was in the state of ananya prayOjana kaashtai ( the boundary of the state of not expecting any fruits other than the Lord ) and that led to declaring " kanda kaNNgaL " instead of " kanda yenn kaNNgaL " in the spirit of nispruham , nirahankAram and nirmamathvam . Swami Desikan quotes two examples to compare the AzhwAr's exraordinary mental state of bliss . One is the statement of AnjanEyA to Sri RamachandrA " Bhakthisccha niyathA veera bhAvO NAANYATHRA GACCHATHI " . AnjanEya , the greatest of Rama chaithanyA , says that his Bhakthi to Sri Raman is nithyam ( unchanging and eternal ) ; he adds that his thoughts do not go even go to Sriman NaarAyaNA in Vaikuntam , but are rooted in Sri Ramaa and Him alone ( anyathra na gacchathi ) . The other example quoted by Swami Desikan is the Thiruvaimozhi paasuram of NammAzhwar ( 4.9-.10): kandu ketuRRu mOnthu undu uzhalum eimkaruvi kanda inbam ----kanda sathir kandozhindhEn adainthEn un thiruvadiyE " ( short meaning ) : After experiencing the limitless beauty of You both as Divya dampathis and as Nithya sEshis in Sri Vaikuntam with your own blessings , I have abandoned with joy the persihable alpa sukhams born out of the activities of the panchEndriyAs and the kaivalya sukham coming from athmAnubhavam . I have now firmly grasped Your lotus feet as the one and only lasting and incomparable sukham in all the worlds . In the final tamizh paasuram of Munivaahana bhOgam , Swami Desikan pays tribute to the " kadiya kaathal of PaaNN perumAL " and describes his prabhandham as " pazha maRayin poruL " ( the essence of the ancient vedAs dealing with the relationship between Iswaran and Jeevan ) : kaaNpanavum uraippanavum maRRonRikk- kaNNanayE kanduraittha kadiya kaathal paNN perumAL aruL seytha paadal patthum pazha maRayin poruL yenru paravuhinROm . In his pala sruthi on MunivAhana BhOgam , Swami Desikan hints at his composiiton as equal to " muktha isvarya rasOpama: " ( equivalent to the brahmAnandham experienced by the Muktha Jeevans and Nithya sUris in Nithya VibhUthi / Sri Vakuntam ) . That is because of the subject matter deals with the singular aanndhAnubhavam to the exclusion of all the others by ThiruppANAzhwAr at the bhUloka Vaikuntam that made him declare " amudhinaikkanda KaNNgal maRRonRinaikkANAvE " . Swami Desikan , ThiruppANNAzhwAr thiruvadigalE SaraNam Oppiliappan koil Varadachari Sadagopan
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