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From the Bhakti List Archives
• November 26, 1996
Dear Members of the Prapatti Group: Nov 26, 1996 is the tirunakshatram of Sri Tiruppanazhwar. Sri Rengarajan has written in great detail about the Amalanathipiran of Sri Thiruppaanazhwar. Sri Sadagopan and Sri Anbil Ramaswamy have also written excellent articles in the past about the work of this Azhwar. In this post, I shall try to summarize some aspects of the life of this great Azhwar. His ten Pasurams rendered before Lord Ranganatha are rare gems indeed. These Pasurams have served as the motivation for the works of several Acharyas. This Azhwar by tradition is considered to be Ayonija or one, who is not born of mortal human beings. He is also considered as an Amsa of the Sri Vatsa mark, the mole on the chest of Sriman Narayana. He was brought up however as a foster-child by a childless couple of the Paanar caste Swami Desikan was greatly moved by the composition of this Azhwar and wrote a commentary called Munivahana Bhogam in Mani Pravala. Swami Desikan's sanskrit compostion " Sri Bhagavad Dhyana Sobhaanam" was also motivated by the work of Tiruppan Azhwar. In this Stotram, Swami Desikan offers tribute to Lord Ranganatha and enjoys his Bhagavad Gunams in the spirit of Tiruppan Azhwar's homage in the Amalanathipiran. Swami Desikan dwells on each part of the Lord's body and salutes it with great reverence. I shall provide a very brief account of the life of Sri Tiruppan Azhwar and his Anubhavam of the Lord of Sri Rangam, which inspired Swami Desikan and the Acharyas before him. Thiruppanar was a resident of one of the 108 divya desams known as Kozhi or Nisulapuri, which is on the banks of cauveri river, very close to Sri Rangam. Adopted by foster parents of the Panaar caste, the Azhwar came to be known as "Panaa". At a very young age, the Azhwar became proficient at playing the instrument known as the "Yal". Sublimal music in praise of the Lord emanated from the Yal whenever the Azhwar touched it. As a young boy, the Azhwar frequently accompanied his father to the Temple of Lord Ranganatha, where his father would engage in cleaning the exterior of the Temple. Intrigued by the magnificent palace-like structure of the Temple, the Azhwar enquired of his father "Who does this mansion belong to?". The Azhwar's father replied that the mansion was the home of Lord Ranganatha who is the father of the entire universe. Encouraged by his father's words, the Azhwar once tried to enter the Temple in an attempt to obtain a darshanam of "the father of the universe". Since Panaars were forbidden from entering the Temple, the Azhwar was unceremoniously thrown out of the Temple by the orthodox brahmins. Pained by treatment meted out to him the Azhwar came home in tears and reported the incident to his father and complainingly asked of his father "Isn't Lord Ranganatha the father of the universe and therefore, my father too? Why an I not allowed to see him?" The Azhwar's father comforted him with soothing words to the effect that the Azhwar will definitely get to see the Lord at the right time. Since the Azhwar could not go to the Temple, he used to come to the banks of the Cauvery river and sing about the glory of Ranganatha and lose himself in a trance like state. On one of those days, when he was totally oblivious to his surroundings, the temple priest of Lord Ranganatha came to the river to collect water for the Tirumanjanam of the Archa Moorthy. He saw our Azhwar and thought that latter was a man of lower caste and therefore, he should move away to permit the collection of the water for the daily Tirumanjanam of Sri Ranganatha without pollution. The name of the priest was Loka Saranga Muni. He was called a Muni by the residents of Sri Rangam because of his scholarship and devotion. He devoted every moment of his life to the service of the Lord at Sri Rangam. The Azhwar was lost in the thoughts of Sri Ranganatha and did not hear the shouts of Loka Saranga Muni asking him to move away. The priest got angry at the nonresponse and threw a stone at the Azhwar to wake him up from his trance. The pebble missed the water and hit the Azhwar in on the forehead and opened a wound from which blood began to gush forth. The Azhwar woke up and realized the situation, apologized for his unawareness and moved away. The priest collected the water in his golden pot and reached the inner sanctum of Lord Ranganatha. There , he saw to his sorrow and astonishment blood oozing from the forehead of the Lord at the same site, where the Azhwar had a wound earlier. The Muni recognized his apacharam and went home and had restless sleep. In his dream appeared the Lord of Sri Rangam and commanded the priest to bring the Azhwar to the temple as a praayaschittam for the Bhagavata apacharam to the Azhwar. The priest woke up at that dawn and rushed to the banks of Cauvery and saw the Azhwar pouring his heart out to Sri Ranganatha through his songs. The Muni conveyed to the Azhwar , the message of the Lord to come to HIS temple. The Azhwar refused , since he felt that as a man of lower caste, he was not fit to set foot in the holy city of Sri Rangam or enter the most sacred sanctum of the Lord there. Loka Saranga Muni was desparate to make amendments for his boorish act and persuaded the Azhwar to ride on his back, despite the latter's protests to the sanctum of the Lord to avoid touching the sacred ground of Sri Rangam. Another version of this incident is that Loka Saranga Muni arrived at the Temple upon striking the Azhwar to find that the Temple door was firmly shut and would not open despite his attempts. The voice of the Lord reminded Loka Saranga Muni of his Bhagavata Apacharam and declared that the Temple door would remain tightly shut until Loka Saranga Muni performed Prayaschittam brought the Azhwar to the Temple by carrying the latter on his back. Heeding the divine command Loka Saranga Muni rushed to the Azhwar and brought the latter to the Temple on his back. The Azhwar was thus transported to the sanctum and earned the title as Munivahana. During this ride, the Azhwar closed his eyes thinking about the blessings of the Lord. On reaching the inner court of the Lord of Sri Rangam , the Azhwar descended from the back of the elderly priest, opened his eyes to feast on the beauty of the Lord and burst forth in a song known as Amalanaati Piran, which is a reflection of the Sampoorna Bhagavad Guna Anubhavam of the beauty of the Lord from HIS Lotus feet to HIS crown. At the end of this tribute, the Azhwar declared that his eyes will never rest on anything else, after seeing the Lord of Sri Rangam and he merged with the Lord right there and then. Below is a humble attempt after reading the articles of Srimans Sadagopan, Sampath Rengarajan and Anbil Ramaswamy to summarize what in my opinion is the most majestic of the 10 Pasurams of this Azhwar. Kondal Vannanai Kovalanaai: Lord Ranganatha is the supreme emperor of the whole world and all the people (residing there); he who is of the black color of the clouds as well as the nature of the clouds; who ,as Lord Gopala, ate butter with his mouth; who has stolen my mind and heart; and who is my immortal ambrosia; my eyes that have looked at his beauty; these eyes of mine ,that have seen Him , will never see anything else. Azhwar Tiruvadigale Sharanam, Muralidhar Rangaswamy
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