Thirukkudanthai Desikan"s AparyApthAmrutha sOpAanam:sLokam 7-Part 2
From the Bhakti List Archives
• May 21, 1999
Dear BhakthAs of Lord AarAvamudhan : In the last posting , we commenced the enjoyment of the ThirumArbhu (Vakshasthalam )of Amudhan , which is the place of residence of MahA Lakshmi ( Ramaa VaasasthAnam ) as visualized by Thirukkudanthai Desikan . In this posting , we will enjoy the additional salutations to that auspicious ThirumArbhu or the chest region of the Lord of Thirukkudanthai. The great bhakthA of AarAvamudhan , this aparAvathAran of Swami Desikan focuses now on the following additional auspicious vasthus in that blemishless (anagam ) chest : 1.MaNi vara ruchA bhaasvath 2.Mahaa HaarOllAsam 3.Nikhila JagadhAthi prakruthi bhU: 4.sunaddham sUthrENa dhrutha kanaka bhAsvath Thirukkudanthai Desikan prays to the Lord that the memory of His auspicious ThirumArbhu adorned with the gem Kousthubham , vana Maalai , Sacred thread and Prakrtuthi should remain forever etched in his mind and illuminate that mind always . Before commenting on the allusions associated with the four items referred to above , let us focus on the Anaga Vakshasthalam or the blemish-free chest . The sacredness of the Lord's chest is revealed to us by Azhagiya MaNavALa PerumAL NaayanAr in his AchArya Hrudhaya soorNikai : " Bharatha AkrUra MaaruthikaLaip parishvankittha maNi mihu maarvilE kurumaamaNi- yaa yaNayum vasthuvukku " .Here , NaayanAr refers to that ThirumArbhu that embraced tightly BhaAgavatha SrEshTAs like Bharathan and HanumAn during RaamAvathAram , AkrUrar in KrishNAvathAram . Once NammAzhwAr looked at the ThirumArbhu of the Lord with Nithya Sri and declared : " neesanEn niRai onRumilEn -- Ammaan Aazhip pirAn yevvidatthAn? yaanAr ? " ( I am the lowliest of the low ; I do not have any guNa sampoorthi . How exalted is my Lord with Sudarsanam in His hand ? How Low am I ?". with this statement, Swami NammAzhwAr stood aside saying how can I dare to approach Him ? The Lord who heard this naicchAnusanthAnam ran towards the AzhwAr and hugged him tight to His chest . That chest with many Bhaagavatha samslEsahm (union) is very auspicious and blemishless (anagam ). During the samprOkshaNam that Thirukkudanthai Desikan performed , Amudhan longed for the aalinganam (embrace) of this parama Bhaagavathar . Such is the glory of the blemishless chest of the Lord that is the subject of this slOkam . Coming back to the other four word groups , let us start with " Mani vara ruchA BhAsvath ". The Lord of Kudanthai , who has been saluted by one of the AzhwArs as " Kudanthai mEya kuru maNit thiraL " gave place for the gem , Kousthubham and enhanced its beauty thru assoication with His auspicious chest . At Thirukkudanthai , Cauveri floods bring forth and lay at th Lord's feet many gems ( Sezhu maamaNigal sErum sezhu neer Thirukkudanthai ). MaNi VarAs like Thirumazhisai also assemble at the feet of this Kousthubha MaNi ThirumArbhan and enhance the lustre of the Lord's sannidhi . That fundamental jyOthi that adds lusre to all assembled on His chest and at His feet is the "Satyam JyOthi" identified by Thirukkudanthai Desikan as AravAmudhan . The second MangaLa Vasthu adorning that illustrious ThirumArbhu is " the MahA haarOllaasam ". There are many beautiful ThuLasi and Flower garlands that adorn the Lord's beautiful chest . Amudhan's sevai with those fragrant garlands including the one made from wild flowers of the forest (vana Maalai ,Vyjayanthi) has been saluted by many AzhwArs and AchAryAs : " KaanAr naRum ThuzhAi kai seytha kaNNi " beautifies that chest . MahA Lakshmi Herself constructed that fragrant ThuLasi garland for the Lord according to PeriyAzhwAr . "sErntha ThirumAl kadal Kudanthai --vaNduzhaik KaNNI" is the mangaLAsAsanam of pEy AzhwAr . He also admires that beautiful chest donning the TaruNa ThuLasi maalai. NammAzhwAr cries out loud over his dhurbhAgyam in not getting the beautiful lilly and Thulasi garlands adorning the Lord' chest : " valli VaLa vayal soozh Kudanthia maamalark kaNNvalarhinRa maal , alli malart- taNduzhaayum taarAn , aarkkiduhO vinipUsal solleer ?". As ParAnkusa Naayaki , AzhwAr cried out that the Lord was parsimonious in blessing her with the garlands that she coveted . ThiruppANar conceded that the beauty of the Lord's chest with the garlands enslaved him :" ThiruvAra maarbhathanRO adiyEnai aatkoNdathE ". Thirukkudanthai Desikan was overcome by the " MahA - haarOllAsa Vaksha sthalam " and presented a patthakkam with Lakshmi pendant ( LakshmI Haaram ). The next item that Thirukkudanthai Desikan finds on the chest of the Lord is Moola Prakruthi that is involved in all his creations ( naama rUpa prapncham ). The final auspicious item that Thirukkudanthai finds on the Lord's sacred chest is " Sunaddham soothrENa dhrutha kanaka BhAsvath sva vapushA ". On the Chest of this Vaidhika VimAna adhishtAthA ( the Parama Vaidhikan resting under the Vaidhika VimAnam at Thirukkudanthai ), Sri Gopaala Desikan of Thirukkudanthai finds the golden sacred thread that shines like the freshly melted pure gold in hue .Inspite of the fact that that He does not need to perform KarmAnushtAnams for gaining any srEyas ,He keeps performing sroutha SmArtha vihitha nithya karmAnushtAnams and wears the Yaj~nOpaveetham to indicate His Vratham . In the ThiruvEzhukURRirukkai , Kaliyan salutes this scred thread of AarAvamudhan this way : "muppuri noolodu maanuriyilanku maarbhinil ". AzhwAr sees Amudhan as Vaamana BrahmachAri with both the Yaj~nOpaveetham and deer skin on His chest . Thirukkudnthai concludes this slOkam with the prayer to be blessed with the nourishing memory of the beautiful chest region of the Lord ( SadhA vaksha: chitthE lasathu SaarnghkyA Dhanusha : ) with its Kousthubham . MahA Lakshmi , fragrant garlands and Sacred thread . In the next slOkam , Thirukkudanthai Desikan moves his glance upwards from the chest and focuses on the enjoyment of the Lord's arms . Sri KomaLavalli SamEtha Sri SaarngarAjAya nama: Daasan SadagOpan
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