SarvA (26th naamam of Sri VishNu Sahasra nAmam
From the Bhakti List Archives
V. Sadagopan • Wed Jul 23 1997 - 15:29:05 PDT
Dear Sri KrishNamAchAri and Sri RamakrishNan
BalasubramaNyan& friends : I will add some more notes .
The naamam "sarvan " is common to BOTH VishNu
and Sivan ( as kshithimoorthy , one of the 11 RudrAs/
ekAdasa RudrAs) celebrated in BaisAk temple in the
island of Baali , IndonEsia . In the 11th chapter of
Bhagavdh GItA ( Visva roopa darsana adhyAyam ) ,
The Lord says : " Behold the dvAdasa AdhithyAs ,
ekAdasa RudrAs , the twin Aswins and the Maruths ;
behold , O descendant of Bharata , many wonders
never seen before " ( Chapter 11. 6 ) . ArjunA describes
the "Sarvan " aspect of ViswarUpi in terror this way
in the 27 th verse of the 11 th chapter this way :
" Verily , as the many torrents of rivers flow towards
the ocean , so do these heroes in the world of men
enter Thy fiercely flaming mouths " . ArjunA sees that
these creatures enter the mouths of Sarvan as moths
rushing in great haste into the flames just to perish .
He says : " O Lord ! swallowing all the worlds on every
side withb Thy flaming mouths , Thou art licking Thy lips .
Arjuna is terrified and salutes the "Sarvan " and pleads
for mercy and confesses " Na hi prajAnAmi tava pravrutthim "
( O primeval One ! I know not indeed Thy purpose ) .
In addditon to the Occurence of the nAmam , "sarvan (as in
Siva ) in Rudraprasnam /Sri Rudram/Satha Rudreeyam ,
we come across this name in the Kaavyams
( Raghuvamsam and KumAra Sambhavam ),
purANam ( Vaamana PurANam ) and in Atharva Vedam in
the 11 th canto twice . I will focus on the usage in AtharvaNa
vedam after commenting briefly on the use of "sarvan " from the
Saiva SiddhAntham perspective .
As indicated earlier ,The noun "sarvan " is used both
for Lord Siva and VishNu Bhagavan . When Lord SivA is referred to ,
the attribution is to His destructive aspects as saluted
in Sri Rudram based on the route "sr".
The name " Bhavan" coming before "sarvan " is associated with
the aspects of creation .
The fifth anuvAkam' s first and second manthrams
in Sri Rudram are :
namO bhavAya cha rudrAya cha I
namssarvAya cha pasupathayE cha
BTW ,these two manthrams have a profound significance to
Saiva SiddhAntham . They describe Sri Rudran as the
magnificient God , who engages in pancha krithyam:
Srishti (creation ) , shtithi ( protection and maintenance ) ,
samharam ( destruction ) , TirOdhanam ( hiding the truth
thru MaayA ) and anugraham ( siva loka prApthi ) .
Lord NatarAjA , the cosmic dancer symbolizes the
pancha krithyam in his body . If one intreprets " Siva "
as auspiciousnes , then the pancha krithyam applies
to VishNu as well in His avathAram as Vata pathra sAyee ..
The little drum (damarukam/udukkai ) on the upper right
hand of Lord NatarAjA symbolizes the act of creation .
The birth of limitless creatures and their cry is associated
by the sounds emanating from the play of the udukkai .
This is the Bhava aspect .
The hand gesture on the lower right hand (abhaya mudrA )
refers to the sthithi aspect of pancha krithyA.
on the upper left hand is agni , which is nothing but
praLaya kAlAgni denoting samhAram and the sarvA
aspect .
The bent right leg posted on the back of the demon
muyalagan represents the veil of maayA .
The lifted left leg ( kunchitha paadham ) stands for
anugraham . In chidambaram , a vettivEr maalai
fititng exactly the size of the ankle of the kunchitha paatham
decorates the lifted feet at ardha jAma kaalam .
Next morning , that maalai is given as prasAdam to
a devotee by the muraikkArar .
In saiva siddhantham , Siva does not create the jeevans .
He creates the bodies that house the jeevans . This is
His creation . He protects the bodies during their life on
earth ( shtithi ) . At the conclusion of the earthly cycle ,
He destroys the bodies (samhAram ) . All of these three
acts take place on this earth dealing with the bodies of
living beings .
The fourth and the fifth acts ( tirOdhanam and
anugraham ) deal with jeevans as opposed to
physical bodies By perfecting the jeevan inside ,
He prepares them to become fit to reach His holy
feet (tirOdhanam ) . He then blesses the jeevan
in its purified state to join Siva Saayujyam
(anugraham ) . The relation between SivA and
VishNu is spelled out at the end of Sri VishNu
Sahasra Naamam during the occasion of celebrating
Sri Raama nAmam in pala sruthi .
The passages in the atharva Vedam are beautiful
echos of Sri Rudram housed in the middle of Yajur
Vedam .
Atharva Vedam Khandam 11. hymn 2 is a sonorous
appeal to Sarvan not to harm the beings :
bhavAsarvou mrudatham mAapi yAtham
bhoothapathi pasupathi namO vaam I
prathihithAmAyathAm maa vi srAshtam
maa nO himsishtam dvipadhOma chathushpadha : II
--- AV XI .2 .1
(meaning ) : O Bhava and SarvA , make us happy and
do n't attack us !Salutaions to You , TWIN LORDS of
all living beings , beasts and emancipated souls !
Shoot not the arrow aimed and drawn against us .
pledge to Save our bipeds and quadrupeds !
nama : sAyam nama ; prAtharnamO rAthryA namO divA I
BHAVAAYA CHA SARVAAYA chObhAbhyAmakaram nama: II
---- AV XI . 2.16
(meaning ) : Salutations to the Lord at evening and at morning's
early light ! Salutations at night and day ! To the Lord's powers
of creation (Bhavan ) and dissolution/destruction (Sarvan ) ,
both , have I paid my humble salutaions !
bhavAsarvAvidam bhrumO Rudram Pasupathisccha ya : I
yeeshUryA yeshAm samvidhma taa na: santhu sadhA SivA : II
------ AV XI . 6 . 9
(meaning ) : May we eulogize the different aspects
of the Lord , as BhavA , SarvA , RudrA and Pasupathi .
May we understand the doctrines behind these aspects.
May they be ever compassionate towards us !
I wonder whether Parasara Bhattar did not elaborate
on this VishNusahasra nAmam ( Sarvan ) because
of its destructive connotations as referred to in the rks
of Sri Rudram and Atharva vedam . I am equally surprised
that Sankara Bhagavdh PaadAL did not elaborate either
on this nAmam inview of or inspite of its hyperlinks
to Sri Rudran !
V.Sadagopan
P.S : Regarding SaaKagrama mAlais found as aabharaNams
on the Moolavars of Divya dEsams , the saaLagramams
are never drilled to make a hole . They will shatter .
It appears that the sALagrAmamams are housed in
gold -plated casings and the hooks are attached to
the outside of the casings to connect them .
Sri ThiruviNNagarappan ( Moolavar ) has a huge
saaLagrAma mAlai , which seems to be constructed
this way .
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