Sri RanganAtha PadhukhA Sahasram (RPS ) : Naadha Paddhathi --Part 14.3
From the Bhakti List Archives
• February 14, 1997
Dear Members of the Prapatthi Group : In this posting , I will cover the slokams of Naddha Paddhathi of RPS from 16 to 20. Verse 16/396 Here Swami Desikan addresses the Rangapathi"s Rathna MaNi PadhukhAs and requests them to perform their alchemy during the last moments of his life on this earth , when all his ten IndriyAs would be in astate of agitation . He says : " O Gem-studded PaddhukhAs of Sri RanganaathA ! When the ever present enemies of my body cause me pain and sorrow , please fill my ears with your Naadham . It will serve as soothing alchemy to drive my afflictions away " . He describes his state at the last moments of His life as" Vihvalasya mama sruthou "( Most agitated ear of mine ) . The antidote for that state is described by Swami Desikan as " Bhavatheeya Sinjitham svAdhu karNa RasanA RasAyanam " ( Your delectable Naadham that is the tasteful medicine/alchemy for the ear of mine serving as the tongue to benefit from that medicine and to be cured of my afflictions ) . Swami Desikan"s statement here is similar to the KrishNa RasAyanam recommended by KulasekharA to cure the ills of samsAric afflictions. Verse 17/397 Here Swami Desikan establishes the supermacy (Parathvam ) of Sriman NaarAyanA through the words of the MaNi paadhukhAs. The corresponding slokam is as follows : aham upari samastha devathAnAm upari mamaisha vibhAthi Vaasudeva : I tadhiha param na kimchidh asmAdh ithi vadaseeva padhAvani PraNAdhai : II Swami says :" O PaadhukhE ! When I hear the Naadham generated by you when you travel with your Lord , it seems to suggest that you are saying that you adorn the heads of all the DevAs and therefore You are superior to all of them. You seem to say next that the Lord is over your head and therefore , there is nothing in world is superior to Him " . The inner meaning of this slokam is that NammAzhwAr (SatAri / PaadhukhAs) hints through the verses of his Thiruvaimozhi that Para Vaasudevan of Srirangam is the Lord and Master of all the DevAs. Verse 18/398 In this slokam , Swami takes the liberty of comparing the happy, sweet and bold Naadham of the PaadhukhAs to that of a happily married wife , who addresses her husband in a state of intoxication . He says : " O PaadhukhE ! Your Naadham some times sounds like the bold speech of a drunken wife , who embraces her husband and gets even bolder and gives assertive orders. When DevAs prostrate before You , the fermented honey (Madhu/wine ) from their flower garlands decorating their crowns fall on You . You become intoxicated with that flow of Madhu . You embrace your Lord's feet and generate a sound born out of happiness and intoxication. That Naadham emanating from you at that time is sweet and bold " . Verse 19/399 In this slokam , Swami Desikan pays tribute to the uniqueness of the PaadhukhAs as attested by Sri RanganAthA . He says : " O PaadhukhE ! During the day , your Lord performs all the duties requested by the DevAs and receives their grateful salutations . He goes hither and thither to protect them and becomes the object of their adorations. Thereafter , he bids good bye His servants at the appropriate places of His palace and hastens by Himself to the inner chambers to join His consorts . You alone are with HIm at that time. He does not seem to leave you behind because of His fondness for the sweet Naadham generated by you , when you transport Him to the inner chambers" . The inner meaning is that the general accoutrements of Sri RanganAthA and His servants stop at the exterior gates of His palace . It is only the sArrumurai of Thiruvaimozhi that takes place at the innermost chambers (garbha Graham ) of the Lord of Srirangam . Verse 20/400 Here Swami Desikan describes the low , almost inaudible Naadham that arises from the PaadhukhAs , when RanganAthA makes His first step after getting up from His bed of Adhi SeshA in the morning. The gems decorating the PaadhukhAs get shaken up gently and make a low level sound. As RanganAthA takes the next three steps , His lotus feet are firmly inside the PaadhukhAs and the volume of the accompanying Naadham gets amplified to louder and audible levels. Swami describes the progressive growth in the Naadham generated by RanganAthA's movements in this verse and compars that phenemenon to the generation of sound by the human body in four successive steps known as ParA , pasyanthi , MadhyamA and Vaikari . The first stage of sound arising from the navel , when one attempts to speak is known as ParA. When that sound wave reaches the heart center from Naabhi , it gets a little louder and is recognized as Pasyanthi . When it reaches the next stage between the heart and the vocal chords , the sound gets louder and by another dimension known as MadhyamA ; finally , when the sound wave reaches the level of vocal chords and comes out of the mouth in an audible fashion , it is called Vaikari . The first three stages of speech are not audible to the human ear and yet they get progressively louder from the first to the fourth stage. Each stage is assisted by one of the five life-winds going up and down the body such as prANA , ApAnA , UdAnA et al. Swami Desikan compares the steadily increasing volume of Naadham as Sri RanganathA moves from his first step to the fourth step to the stages of speech amplification in the human body controlled by the life-winds. The inner meaning is that the Naadham of the SatAri Suri is low when he begins his enjoyment of the Lord"s auspicious attributes ( Bhagavadh Anubhavam ) . As the intensity of the anubhavam increases , the Naadham reaches a crescendo . There is a krama pariNatha aspect to the anubhavam ( successive stages of ascension ) .The parA state is a subtle experience (SookshmAvasthai ) . Then it becomes gradually heightened and comes out as distinct and loud Thiruvaimozhi paasuram . Sri RanganAtha MaNi PaadhukhE ! Thubhyam NamO Nama: Swami Desikan ThiruvadigaLE SaraNam Oppiliappan Koil VaradAchAri Sadagopan
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