Manthra /Maanasa/ Mukhya/GowNa SnAnams
From the Bhakti List Archives
V. Sadagopan • Sun Dec 21 1997 - 07:04:25 PST
Iswara Samvathsaram , Maargazhi 6
KrishNa paksham , Sapthami
Poora Nakshthram
PuLLum Silambina KaaNN Thiruppavai day
December 21 , 1997
Dear BhakthAs of Sriman NaarAyaNA :
I will translate the manthrams of Maanasa SnAnam
as per the request of Sri Gopalaswamy in this posting .
As a part of sadAchAram and anushtAnam , Sri VaishNavAs
have prescribed rules for performing their daily abolutions
( snAnams ) to prepare themselves properly for
the daily AarAdhanams for their Lord , Sriman NaarAyaNA .
Vangipuram Nampi , who was a direct disciple
of AchArya RaamAnujA received instructions from his guru
on Sri ViashNava DiancharyA and elaborated on his AchAryA's
Nithya Grantham in his kArikai . Swami Desikan covered many of
these topics related to SnAnam mainly in his PaancharAthra
RakshA , Saccharithra RakshA and briefly in Srimadh
Rahasya Traya Saaram ( SaadhyOpAya SodhanAdhikAram
and PrabhAva vyavasthAthikAram chapters ) .
In Sri Sannidhi ( AhObila Matam sampradhAyam ) ,
the 26th Jeeyar ( SrivaNN SatakOpa Sri RanganAtha
SatakOPa Yatheendhra MahA Desikan ) blessed us
with a grantham revered as " VaishNava SadAchAra
NirNayam " to enhance Jn~Anam , AnushtAnam and
Athma GuNams . The 42nd Jeeeyar ( Injimettu Azhagiya
Singar ) edited the original text and corrected the mistakes
that had crept in and rereleased this grantham of Sri Sannidhi .
The current Jeeyar ( SrivaNN SatakOpa Sri NaaRAyaNa
Yatheendhra MahA Desikan ) released a magnificiently
rich edition of the Ahnika Grantham of the 26 th and 42nd
Jeeyar for our benefit in 1990 . Those who wish to obtain
additional information are referred to these mula granthams.
I will summarize briefly the different types of SnAnams and
the meaning of the manthrams of Maanasa SnAnam here .
The Major categories of SnAnams are of two kinds ;
Mukhya SanAnam and GowNa SnAnam . There are
subcategories under them , which we will not cover here .
Manthra SnAnam precedes Maanasa SnAnam .
The Manthra SnAnam starts with " Om ApOhishTA
mayO bhuva: an dends with " Om ApO janayathA cha na: "
There are 9 manthrams here and appropriate
sprinkling of water ( PrOkshaNams ) here on
the head , heart and foot regions . The Maanasa SnAnam
starts thereafter . Manasa SnAnam is the most sacred of
all snAnams according to our AchAryAs . Swami Desikan
states with authority, " Maanasam VishNu chinthanam " .
For those , who is unable to perform VaaruNa SnAnam
( Taking a bath by immersion in water ) due to illness
or other inconveniences , Manasa SnAnam is vital . It
is also performed before wearing Urdhva Pundrams and
PrAtha: SandhyA Vandhanam .
One should meditate upon AkAsa GangA that flowed from
the scred feet of Trivikraman falling on our head and entering
our body through Brahma Randhram ( a sacred cavity in our
head ) and permeate all through our inside and then flow
outside and cleanse us of all dirts and blemishes . At that time ,
we should meditate on the glorious subhAsrayam ( ThirumEni )
of Sriman NaarAyaNA from His lotus feet to the sacred Thirumudi .
Then the Maanasa SnAna Slokams are recited .
First SlOkam : khasthitham -----
Khasthitham = One who resides in Sri Vaikuntam
PundareekAksham = One who has the eyes similar to the Red
lotus in its beauty and softness (
SenthAmaraik
- KaNNan
ManthramUrthim = One who is the embodiment of PanchOpanishad
manthrams
Harim SmarEth= One should reflect on Hari of these attributes .
AnanthAdhithya SankAsam VaasudEvam Chathur Bhujam =
( We should meditate on Him ) , who has the lustre of limitless
AdhithyAs ( Suns ) and who is the VaasudEva Murthy with four
arms .
SlOkam 2 :
Sankha Chakra gadhA dhAriNam vanamAlinam I
syAmalam Saantha Hrudhayam divya PeethambharAvrutham II
He is the One fit for meditation with Paanchajanyam , Sudarsanam ,
divine mace and a beautiful red lotus in His four hands. He is wearing
a fragrant garland known as VanamAlai ( Garland made of wild
flowers of the forest ) . He has the hue of a dark green mountain
( Pacchai maamalai pOl mEni ) . He has the most compassionate
and tranquil disposition ( Hrudhayam ) . He wears the divine
golden yellow garment in His waist ( PeethAmbharam ) .
( That is how we should meditate on Him )
SlOkam 3 :
divya Chandhana lipthAngam ChaaruhAsam subhEkshaNam I
anEka rathna samchannam spuran makara Kundalam II
He has divine sandal paste smeared on His limbs ;
He has the most captivating smile ; He has the benovolent
glances that banish all inauspiciousness ; His body is hidden
under the many pieces of divine jewelery adorning Him ; His
ears are resplendent with shining Makara kundalams .
SlOkam 4 :
NaaradhAdhibhirAsEvyam bhAsvadhvimala kankaNam I
SakinkiNaeeka kEyUradhAiNam makuTojvalam II
He is surrounded by Sages like NaaradhA who are
eulogizing Him .He is wearing the resplendent
bracelets ( KankaNams ) on His wrists. He is further
adorned by KinkiNee ( silampu with bells as ankle
ornaments ) and upeer arm jewelery ( KEyUrams) and
looks beautiful . On His head rests the splendidly
radiant crown .
SlOkam 5 :
Dhvaja vajrAnkusa lakshya Paadha padmam sunirmalam I
tath paadhapadmajAm GangAm nipathantheem svamUrdhani II
As the supreme Lord , the soles of His lotus feet carry the insignia
of Flag , Vajram ( Ayudham , the back bone of sage Marichee) ,
and Goad ; those sacred feet are pristinely pure and destroy
every kind of inauspiciousness . From those lotus feet flows
the sacred GangA and that pravAham falls on my head .
SlOkam 6 :
cinthayEdh brahmarandhrENa pravisantheem svikAm thanum I
tayA samkshAlitham dhyAyEdh bhAyamAbhayantharam malam II
That sacred Ganga should be meditated upon as entering
one's body through the brahma randhram ( cavity in the head ) ,
flowing through out the inside and outside of the body and
removing all malams ( sins and blemishes) .
Ithyuktham Maanasam SnAnam sarva snAnAdhikam param I
Ithi Maanasa SnAnam KuryAth II
This is the Maanasa SnAnaanam prescribed
by the sacred ones ( Sages ) as the best among all
kinds of abolutions to prepare oneself for Bhagavdh
ArAdhanam and Kaimkaryam .
Subhamasthu , Saanthirasthu
Oppiliappan Koil VaradAchAri Sadagopan
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