Part I: MYTHS- Section 1-Introductio 1 of 4
From the Bhakti List Archives
• April 30, 1998
Dear Bhagavatas, I am presenting Part I of "Myths, Miracles and Mysticism" - which deals with Myths. Section 1 Introduction is covered in 4 posts. This is 1 of 4. After going through all the posts on the subject, you may put in your queries because some of your concerns will find answers in the subsequent postings. Dasoham Anbil Ramaswamy ===================================================================================== PART 1 : MYTHS SECTION 1 : Introduction A 'Myth' is a traditional or legendary fiction, a fabulous narrative founded on some event during the early existence of a people and embodying their ideas as to their own origin, their gods, their heroes and their cultural practices. A collection of such myths is called 'Myhology'. In the West,the word 'myth' has been taken to mean that the narrations are not factual but fictitious, not real but imaginary.There is a considerable difference on the impact of mythology on the minds of Indians and the Westerners. The Indian would seem to accept mythology more readily without questioning - being highly imaginative and credulous. The Westerner, on the other hand, being obsessed with historical perspectives and scientific research mindset seem to be inclined to skepticism and disbelief unless the contrary is proved. The Indian mind tends to be swayed by the shroud of mythology than by the surrounding facts. The Westerner tends to indulge in shredding, vivisecting and discarding mythology in search for proofs so much as to miss the very charm and purpose of mythology. But, mythology has been an integral part of all religions the world over. Religion dates back to several millions of years before history began. History dare not peep into such hoary past and has, therefore, consigned it to the incomprehensible heap called 'mythology'. The concepts which mythology deals with are much older than anything history or science can think of. History and Science will be powerless beyond a certain point where only intuition and spiritual experience can have any significance. " Mythology and holy figures are necessary for any great culture to rest on its stable spiritual foundation and function as a life-giving inspiration and guide" 1 Mythology helps to put us in consonance with nature. Mythology helps in relating the microcosm of the individual to the larger macrocosm of the Universal spirit. Mythology sheds light on the Universal Consciousness that reveals itself to the mind and not to the senses. " Mythology is not a lie. Mythology is poetry. It has been well said that mythology is the penultimate truth - penultimate because the ultimate cannot be put in words. It is beyond words, beyond images, beyond that bounding rim of the Buddhist 'Wheel of existence'. Mythology pitches the mind beyond that rim, to what can be known but not told. So, this is the penultimate truth...Thinking in mythological terms helps to put you in accord with the inevitables of this vale of tears. You learn to recognize the positive values in what appear to be negative moments and aspects in your life"- 2 Also, what is truth has to be understood. The truth of the matter is that there is no such thing as ' the absolute truth, the whole truth and nothing but the truth' as they swear on oath in the court rooms. Sage Tiruvalluvar defines truth as that which does not cause harm. Truth does get qualified qualitatively according to circumstances. Myth combines truth as we understand it ( but do not practice!) and truth as defined above since its aim is not only not causing harm but also positively ennobling character. What fascinates kids and adults alike is a happy blend of fact and fiction. Children all over the World are allured by characters appearing in Aesoph's fables, Canturbury tales, Arabian nights, Walt Disney's creations etc. Characters such as those of James Bond, Sherlock Holmes, Perry Mason, Matlock etc. conjure up the imagination of 'grown ups'. This is because the former are 'kidstuff' myths. For, the grown ups, ' ambition is made of sterner stuff '. One thing in common, however, is the message of facts that these fictions convey. We live in a celluloid world where the scenes depicted on the screen (from 70 mm to the TV) seem so real as to leave an indelible impression on the minds and psyche of the viewers. That these images mold attitudes, behaviors and even character especially of the impressionable segments of the viewers cannot be gainsaid. It is all the more necessary for those responsible for their production to take care that they convey the right kind of message which can chasten the mind and not transmit the wrong kind of signals that debase and deprave character. Perhaps due to the cultural chasms that separate countries and nations, stories such as the antics of Don Quixote. the travels of Gulliver, the exploits of the knights of the round table in Morte D' Arthur, tha sorrows of Satan in Milton's Paradise Lost, the perigrinations of Alice in wonderland etc that fire the imagination of the West may not carry the same amount of interest in others. Similarly, the allusions in the Upanishads, the legends in the Puranas, the anecdotes in the Itihasas relating to Rama, Krishna, Hanuman, Bhishma, Arjuna, Nalayani, Sita and a host of such heroes and heroines in our scriptures have a special significance to the Indian ethos which the Western mind cannot grasp or grasp with as much vigor. For the Indian mind, these heroes and heroines are not mere 'dramatis personae', the events are not mere allegories unlike in the case of Aesoph's fables etc. The characters in the Hindu pantheon throb with vitality of real life. It is hard to find a parallel anywhere in the history of world literature of such a vivid portrayal (except perhaps in depictions in Greek and Roman mythology). Under the panoramic canopy of Itihasas and Puranas, a vibrant array of personalities march past but each one is a unique and immortal figure,living in the very consciousness of the Indian multitude from the Pre-historic through the Proto-historic to the present contemporary scenario. To millions of Indians down the ages and all over the world, Ramayana and Mahabharata are not mere tales. They have more truth and meaning in them than the events in their own lives. As plants grow drawing sustenance from Sunlight, so the people of India draw mental strength and culture by the enlivening inspiration of the epics. Meanings of some lessons are patent; In others, they may be latent. A reverential approach and a rational unbiassed reflection would reveal the intellectual fare and invaluable morals hidden in them. (Continued)
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