A note from Sri Chandrasekar
From the Bhakti List Archives
• April 14, 1998
Dear Friends : Sri Chandrasekharan ,who is here on assignmnet for WIPRO will be returning home soon . I very much appreciate his initiative to pass on the news about the Temple Construction project for Sri RanganAtha to the Music News group . As per the suggestion of the other members , we should reach out to as many list groups, news groups and cultural groups as possible . I am sure that there are a lot of BhakthAs with connections to the Lord of Srirangam there . I am counting on Sri Sampath Rengarajan to coordinate this activitiy and spread the word around .We are finalizing on the format for an one page flier and creation of the receipt books for all those , who want to reach out into your communities to help create this extraordinarily unique temple adored by BhakthAs and kings over many centuries . This would be in the spirit of suggestions made by Srimathi Viji RaghunAthan of California . Sri RanganathA's temple will be constructed in two phases .The target date fro Phase I is from April 15 ( BahudhAnya Samvathsara birth day , Today ) to December 31 , 1998 . The GopurAs , the decorative work will come under phase II .We have to wait on that phase . During Phase I , completion of all that is necessary to gain Certificate of Occupancy will be done. The temple has access to $500 K today and anticipates that it will need $700K to complete Phase I . All of your support becomes thus critical& Timely . Every bit helps . Please help generously for this noble cause . I thank Sri Mani Varadarajan for his understanding to share the news about the constrcution of this unique temple and the related postings on its glories and ancient history. This PerumAL is indeed Periya perumAL and is central to Bhakthi-SaraNAgathi traditions . Thanks . Those , who are interested to join in this Kaimkaryam should send their contributions to Sri RanganathA temple , P.O Box 120 , Pomona , NY 10970 and NOT to me .Sending your contributions to me only delays the receipt of the checks by the Board .Thank you for your understanding . The chairman of the Board of Sri Ranganatha Temple , Srimathi Nagubandhi or one of the officers of the Sri RanganathA Temple , Pomona will send receipts for your donations that are 100% tax free . I have enclosed my comments on Sri KshEthraj~nA , which I sent to Sri Chandrasekhar in response to a question he had on the above composer . This might be of interest to number of you . KshEthrj~nA also spent some time at Srirangam and enjoyed the Lord as " GopAlA " as many AzhwArs did . Daasan , V.Sadagopan >From: Sadagopan>Subject: Re: hello > >>To: vcs@wipro.com (Chandrasekaran. V) >>From: Sadagopan >>Subject: Re: hello >> >>At 02:41 PM 4/13/98 +0000, you wrote: >>>Dear Sri Sadagopan, >>> I forgot to mention this in my earlier mail this morning. I >>>had posted about the temple project in a music news group with >>>your email id as contact and had mentioned the temple address >>>for the cheques to be posted. So interested members in that >>>news group may send mails to you. >>> I pray to the Almighty for giving you and other people involved >>>in this sacred project, mental and physical strength for >>>accomplishing His command successfully. >>> >>> adiyEn, >>> chandrasekaran. >>> >>>> >>>> Namaskarams , Dear Sri Chandrasekaran : >>>> >>>> Sri Kshethraj~nA is the father of the musical >>>> form known as Padham . You might have heard a lot >>>> of padhams from Smt.BrindhA and MukthA , >>>> the grand daughters of the legendary VeeNai >>>> DhanammAL . The padham became a powerful tool >>>> in his hands to depict variegated aspects of >>>> RagA and rasA . >>>> >>>> He seems to have taken his inspiration from >>>> Sri ANNamAchAryA's SringAra Sankeetrhtanamulu . >>>> He lived in the 17th century , to centruies >>>> later than Sri ANNa mAchAr . >>>> >>>> He composed in Sanskritized Telegu like >>>> Saint ThyagarAjA . He was a devotee of " GopAlA ". >>>> His naama mudrA is Muvva GopalA . Sweetness of diction , >>>> artha pushti and the use of rare rAgAs are his >>>> hallmarks as a composer .In the song that you referred to >>>> he seems to be saluting the eyes of the Lord and >>>> is comparing them to a Kuvalaya Pushpam .I do not know the >>>> Saahithya Vaakhyams to guess the meaningof the rest of the padham . >>>> Gowlipanthu has been used by Saint ThyagarAja in a >>>> penitent mood in front of Sri VenkatEsA ( theratheeyaga >>>> RaadhA ) and by Sri ShyAma SaastrigaL twice . >>>> KshEthraj~nA has compsed another Gowlipanthu >>>> Padham called 'Eriti VegintunE " . >>>> >>>> There is a belief that JayadEvA reincarnated himself as >>>> Sri NarAyaNa TheerthA first and later as KshEthraj~nA . >>>> He was named KshEthraj~nA because of the many >>>> kshEthrams he visited . He ahs composed more than >>>> 2,000 padhams . >>>> >>>> Best wishes , >>>> V.Sadagopan >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> > I have a question about a song I have on a CD. This is sung by MS. The >>>> >composer is kshethraj~nar. The song begins as "kuvalayakshirO". I don't >>>> >know what language this is in. Can you please tell me more about this song? I >>>> >liked the song's tune and I am sure the theme should also be great. The >>>> >tune is close to our ancient tamizh music. I don't know the technical >>>> >name of the tune. The ragam is gowlipantu. >>>> > The other songs in this classical CD are, >>>> > 1. moyyar thadam (thiruvembavai) >>>> > 2. karthikeya (p. sivan) >>>> > 3. kaNbhadheppOdhu (ambujam krishna) >>>> > 4. kuthagaiyai (doesn't list the composer). this is on Lord parthasarathy >>>> > of thiruvallikeni.. >>>> > 5. kuvalyakshiro. >>>> > >>>> > adiyEn, >>>> > chandrasekaran. >>>> > >>>> > >>>> >>>> >>> >>> >>>
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