SrI deSika stotrams - 5. dayA Satakam.
From the Bhakti List Archives
• April 11, 1998
Dear bhAgavatottama-s: This is the fifth in the series on SrI vedAnta deSika's stotra-s. Both SrI Vijay Srinivasan and Sri Sudarsan have written on dayA Satakam in mid-97, and these write-ups can be retrieved from the bhakti archives. The following is additional information that may be of interest. SrI deSika stotrams - 5. dayA Satakam. dayA refers to the guNa of Mercy or karuNA. Satakam means the number one hundred. dayA Satakam thus refers to the stotram on Lord SrInivAsa's guNa of dayA in 100 Sloka-s (there are actually 108 Sloka-s in the stotram). It is worth noting that the stotram is not on Lord venkateSa per se, but on His one guNa, dayA, to the exclusion of all His other guNa-s such as j~nAna, bala, aiSvarya, vIrya, Sakti, tejas, sauSIlya, vAtsalya, etc. Earlier we had noted that SrI deSika composed 1000 Sloka-s on the Divine sandals of Lord ranganAtha (The pAdukA sahasram), which showed svAmi deSikan's poetic skills. dayA Satakam is one more example. SrI D. rAmasvAmi Iyengar, in his introduction to a vyAkhyAnam on dayA Satakam, points out that there is only one Slokam in this stotra where Lord venkateSa is sung directly, the others being devoted to the praise of His guNa of dayA. Even in this one Sloka, He is referred to as karuNA varuNAlayam, the Ocean of Mercy, where karuNA refers to dayA. The Greatness of dayA Satakam: In his vyAkhyAnam on dayA Satakam, SrI sevA SrInivAsa rAghavAcaRya svAmi points out that the birth place of dayA is His Lotus feet (i.e., His dayA starts as soon as a devotee surrenders to Him), it grows in the sweet and inviting smile of His face when He sees a devotee who has sought His feet, and it thrives in the form His katAksham (Slokam 19). sVami deSikan points out that even the veda-s could only begin to describe His dayA'a mahimA, but could not complete it (Arambha mAtram anidam prathama stuthInAm - Slokam 101). Even ancient sages such as vAlmIki have chosen to stand at the shores of the Ocean of the greatness of His dayA because they knew that it was too deep to describe (prAcetasa prabhr*tayopi param taTasthAh - Slokam 102). Sage vAlmIki stops with saying that Lord rAma forgave kAkAsuran and offered abhayam to him because of His kr*pA. However, SrI deSika says that being ignorant as he was, he boldly jumped (mandasya sAhasam - Slokam 102) into the Ocean of Lord's dayA and tried to describe it, and the outcome is dayA Satakam. He then found that he could not find the depth of this Ocean, and is struggling to keep himself afloat. But he says he is proud to have even attempted it, because this has provided "amusement" to the Lord (padmApateh prahasanocitam - Slokam 103) as He watched him "struggle" to find the bottom of the Ocean in vain (atala-spr*Sam in the same Slokam). svAmi deSikan points out that this is a composition on Lord VenkateSa by poet venkateSa (vekateSa kavir bhaktyA dayAmastuta - Sloka 107). In fact, he says that it is Lord VenkateSa who really sang the song. It was as if He was shy to praise His own guNa directly, and so used venkateSa kavi as the means to put forth this stotram. He considers that he was a vINA in the hands of Lord venkateSvara who played His vINA and out came dayA Satakam (vaihArikeNa vidhinA samye gr*hItam vINA viSeshamiva venkata Saila nAthah - Sloka 104). True to this depiction, there are 10 different meters which are used in this composition, and even a person who does not have any concept of meters etc. will easily notice the change in the meter at the end of every 10 Sloka-s as one chants the stotram. In the phala-Sruti, SrI deSikan points out that this praise of His dayA should be repeatedly chanted (samyak abhyasyamAnAn - Slokam 106), and Lord's dayA will ensure that we are crowned by the glory of His Mercy, accepted as His prapanna-s and given mokha. This is unlike what we saw in the previous stotra-s, where he asks us to just even think of bhagavAn in those contexts. This may be because His dayA is the base, the only requirement, but the necessary requirement without which we cannot cross the ocean of samsAra. Guru paramparA dhyAnam: svAmi deSikan has devoted 8 out of the 108 Slokams in dayA Satakam for paying respects to guru paramparA, AzhvArs, sages such as parASara, vishvaksena, SrI devi, bhU devi, nIlA devi, and finally to that Ocean of karuNA, Lord SrInivasa, before starting the praise of His dayA. This is probably because His dayA has been praised alike by the Acarya-s, AzhvArs, and sages like parASara and vAlmIki, and is at the same time the incarnation of SrI devi, bhU devi, and nIlA devi. I noticed that in pAdukA sahasram, with its 1008 Sloka-s, SrI deSika has devoted only 4 Sloka-s that pay respects to the AcArya-s etc. The first one starts with respect paid to all those who have had the good fortune to have had the sacred contact with the SrI SaThAri, the second one to SrI bharata who first showed us the greatness of His pAduka-s, the third one to nammAzhvAr who bears the name of SrI SaThAri (tan-nAmAnam munim), and the fourth to sage vAlmIki who made bharata's worship of SrI rAma's SrI pAduka-s known to the rest of the world. SaraNAgati in dayA Satakam: In Slokam 59, svAmi deSikan points out that our great AcArya-s such as SrI bhAshya kArar and SrI YamunAcArya, induced by His dayA, have taught us that there is no better upAyam than SaraNAgati or prapatti for us to follow to reach His feet (yati-pati yAmuna prabhr*tayah bharanyasanAt adhikam hitam jagati nah na iti pratayanti). In fact, even those who have succeeded in controlling their desires for earthly pleasures through control of their mind find it difficult to attain moksha by observing all the a~nga-s or aspects of bhakti yoga, and are afraid of resorting to this path and instead choose the easy path of SaraNAgati (Slokam 62). There are several Sloka-s where SrI deSika has repeatedly expressed the anga-s of SaraNAgati in this stotram. In Slokam 12, we see expression of kArpaNyam - absolute humility and realization of one's impurity partly acquired from countless birth etc. Here he says that his sins (our sins) are so enormous in size that even summing up all the good deeds of everyone in this world will be like a fistful in comparison, and His dayA is the only hope. One is reminded of the famous tamizh saying - kaRRadu kaim maNNaLavu kallAdadu ivvulagaLavu. In Slokam 10, he points out that dayA gives moksha to those in the category of aki~ncana nidhi, or those who have no other means (such as the ability to adopt the bhakti mArga etc.). SrI sevA SrInivAsa rAghavAcArya in his commentary on dayA Satakam points out that aki~ncanyatvam is an a~nga of SaraNAgati, and it is only when you reach this stage that the realization comes that SaraNAgati is the only means to attain the ultimate objective of this life. In Slokam 29, we again see the expression of kArpaNya, the extreme and utmost humility, when SrI deSika says that he is the epitome and foremost among people committing sins which require the intervention of His dayA for redemption. Again, there is the surrender in Slokam 32 - guNa lava rahitam mAm goptukAmA daye - His dayA wanting to protect us who do not have the slightest good in us. Slokam 51 is interpreted by both SrI sevA SrInivAsa rAghavAcArya svAmi and SrI A. V. gopAlAcArya svAmi as an expression of kArpaNyam, Aki~ncanyam or ananya gatitvam. SrI deSikan points out that even a being (jantu here is interpreted as meaning that anyone and everyone is eligible for this without any prerequisite or constraint) who has done nothing to deserve His grace crosses the ocean of samsAra by merely surrendering himself at His feet. Slokam 56 is another instance of kArpaNyam (absolute humility) or ananya-gatitvam (the realization that there is no alternative except Him) which is a pre-requisite for kArpaNyam. The other means are described as mitampacA - yielding insignificant fruits, taraLA - transient, phala niyama ujjhitA - unpredictable in their ability to yield benefits, punah snatapanAya - resulting on more suffering after the transient benefit is enjoyed). Slokam 58 is a restatement of ananya gatitvam and mahA viSvAsam, which says that those who are blessed eliminate from consideration the many small water reservoirs (bahushu jalASayeshu bahumAnam apohya), and instead will quench their thirst from the shower of His Grace which can remove the heat of samsAra (jani tApa harAm suvr*shtim upajIvya). anya-devatA upAsana is what is referred to here in terms of bahushu jalASayeshu. While most of the above instances were instances of kArpaNyam, Slokam 57 conveys three other anga-s of SaraNAgati - AnukUlya sankalpam (ony doing things that are conducive to attain His dayA), prAtikUlya varjanam (giving up anything that is antagonistic to Him), and mahA viSvAsam (absolute and unshakable faith in Him). SrI deSikan gives the simple parallel to the rule of the world - that a generous master is kind to those who are good to him, punishes those who are not loyal to him, and will always protect those who are loyal to him and do not commit acts that antagonize him. When we know this is the rule of the world, there is no reason to doubt the vedic declarations that He will always protect those who observe the AnukUlya sankalpam and prAtikUlya varjanam towards Him. After describing the various instances of His dayA, svAmi deSikan concludes the sotram with an expression of SaraNAgati through its various aspects in Slokam-s 91 to 100. These include Atma-nikshepaNa (placing oneself completely and directly under His care), mahA viSvAsa (irrepressible and great faith in Godhead), kArpaNya (honest and absolute humility bordering on lowliness and honest awareness of one's own natural ignorance, impotence, and impurity), and goptr*tva (The deliberate choice of God as the sole protector). To be continued in Part 2... -dAsan kr*shNamAcAryan
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