Sri Rama Katha Sudha
From the Bhakti List Archives
• December 3, 2001
Srimate Srivan Satakopa Sri Vedanta Desika Yatindra Maha Desikaya nama: Sri Rama Katha Sudha Srimad Valmiki Ramayana is, for us, the sole authentic source of information for everything connected with Sri Rama’s life and times. This is not only because Sri Valmiki is the Aadi kavi (the first among all poets, chronologically and otherwise) but also because he was blessed by Sage narada with yogic powers to witness Sri Ramayana as it really happened (“tat sarvam dharma veeryENa yatavat samprapasyati”). Thus Srimad Valmiki Ramayana is, so to say, an eyewitness account of the actions of Sri Rama and others, in public and private. This is the reason for the high pedestal, which the work occupies in our Sampradaya and elsewhere. However, there has been any number of other poets who have recorded for posterity their own anubhavams, in their different styles. While these works may not boast of either the authenticity or the majesty of Sri Valmiki’s original work, some of them do provide enjoyable fare to the connoisseur of literature and for the Sri Rama Bhaktas thirsty for more rasAnubhavam. Adiyen would like to reproduce below a few slokas from such works, purely for their beauty and to share with you the pleasure adiyen derived from their perusal. The following sloka , from “Raghava Pandaveeyam”,is in praise of Sri Valmiki-“anyO vidhAta valmiki:aadi kAvyam kamandalu: RaghunAtha kathA GangA tayA poota jagat trayee”. During TrivikramAvatAram, when the Lord’s tiruvadi reached SatyalOkam, Brahma performed tirumanjanam with his kamandalu teerttham, from which originated the Ganga, the holiest of waters. In this couplet, the kavi likens Sri Valmiki to Brahma and his magnum opus, the aadi kavyam, to his kamandalu. The Ramakatha, which flowed from the kamandalu, is likened to the Ganga, which is the purifier of the three worlds. Kavana chAturyam comes to the fore in the following sloka of Sri Ramabhadra DeekshitA, in his VarnamAlA stOtram- “aamnAya saila sikaraika nikEtanAya Valmiki vAg jalanidhi prati bimbitAya kAlAmbudAya karunArasa mEturAya kasmaichit astu mama kArmukiNE praANma : Sri Rama, as the para brahmam, resides at the top of the vedic mountain (that is, the VedantA). At the foothills is a great lake with deep waters, ( Srimad Valmiki Ramayana), which reflects the mountain top. The purport here is that Srimad Ramayanam gives us a true picture of the parabrahma swaroopam. But then, it has to,being an incarnation of the Vedas (veda; PrAchEtasAt Aseet sAkshAt RamayanAtmanA”) Bhavabhooti, in his Uttara Rama Charitam, pays the following tribute to Sri Valmiki- “loukikAnAm hi sAdhoonAm arttham vak anuvartatE risheeNAm punarAdyAnAm vacham arttha: anu dhavati” While in the compositions of great men, the word follows the meaning, in the divine works of Rishis like sri valmiki, the meaning pursues the sacred text closely. In other words, ordinary kavis have to fix the matter in their minds and search for suitable expression. However, the spontaneous outpourings of sages like Sri Valmiki and the Azhwars, are inherently pregnant with meaning- there is no laborious search for rhyme or metre, which fall into place by themselves. Sri Valmiki and his work come in for further adulation by the same kavi, Bhavabhooti, in the following sloka, which is self-explanatory- “pApmabhyascha punAti vardhayati cha shrEyAmsi seyam katha mAngalyA cha manOharA cha jagatO mAtEva GangEva cha tAmEnam paribhAvayantu abhinayai :vinyasta roopam budhA : sabda brahma vida :kavE :parinatAm prAgyasya vAneem imAm » Leave alone Sri Rama-He has been the object of enough epics, poems and text. A famous poet, Sri Ramabhadra DeekshitA, has made Sri Rama’s bow, the KothandA, the subject of lavish praise, as the following extract from his “Sri Rama ChApa stavam” would indicate- “Yen moole Raghunandanasya jagatAm trAteti keertyankura: dEvi cha archati JanAki sa vinayam yet gandha pushpa akshatai : yet kOtyA krita lanchanamcha jaladhou sEtu :jagat bhadrAyAstu jagat traya stuti padam tat Raghaveeyam dhanu:” Sri Rama’s renown as the protector of the worlds flows indeed from the exploits of his famous Bow, the KothandA. Sri Sita pirAtti performs daily pooja to this Bow, which united Her with the Lord. And the Rama Sethu, which is a purifier of people the world over, is but a creation of the Bow-end. (Even today, pilgrims to the Sethu draw a picture of the Kothanda in the sands and propitiate it before taking a dip in the holy waters). Thus the RamaChApA (bow) is indeed the object of adoration of the three worlds. The very same kavi is the author of “Sri Rama Bana stavam”,( in praise of Sri Rama’s arrow.) from which the following sloka is taken- “Mareechopagya vEgam bala vijayi suta prEkshita amOgha bhAvam parAvArAvarodha vraja vidita mahA dussahArchi prabhAvam leela lOlooyamAna tridasa ripu sirO tOraNee drishta taikshnyam bhakta trANa praveenam saranam asaranO Rama BAnam pranoumi” The author performs saranAgati to the Rama BAna, (rather than to Sri Rama himself) which, he says, is the only refuge of the unprotected. Sri VenkatAdvari kavi, in his well-known “Visva GunAdarsa Champu”,inimitably describes Sri Chakravarthi Tirumagan’s felicity –He is capable of turning even a blade of grass into BrahmAstram (as He did in the KAkAsura vrittantam); and He could turn into a blade of grass (as light as it is) even the hard-to-lift, extremely heavy Siva Dhanus. A stone was turned into the beautiful AhalyA and His own footwear assumed the role of the Emperor of AyOdhyA (vide the PadukA PattabhishEkam). The deep and wide ocean was turned into a shallow lake across which a bridge could be built easily. Ordinary monkeys were transformed into great warriors and the dreaded ten-headed Ravana was killed as easily as a mosquito. All this was achieved by Sri Rama, who posed as a mere mortal. Following is the beautiful poem- “astrAmAsa trinam priyAdruhi, triNAmAsa purArer dhanu: dArAmAsa mune :silApi, nrivarAmAsa svayam PadukA kulyAmAsa mahArnavOpi, kapayO yOdhAm babhoovu : tadA poulastyO masakAm babhoova bhagavan tvam mAnushAmAsita”. Sri Rama KarNAmrutam is another beautiful work, from which is reproduced the following sloka- Though Sri Rama’s swaroopam was there for all to enjoy, only certain people knew full well the rasA of each angA of Raghunandana. For instance, the true prowess of the Lord’s shoulders is known only to the Siva Dhanus, which was hoisted by the Prince almost playfully, while other Rajas struggled even to lift it. The true power of the Lord’s feet are known only to Ahalya, who, by the mere touch of the purifying tiruvadi, was transformed from barren stone into a beautiful woman. Only the intransigent Samudra Raja, whom the arrow bulldozed into submission, knows the true powers of the Rama BanA. And likewise, the true sweetness of the Rama NamA is known only to Siva, who not only recites it constantly, but is also supposed to whisper it in the ears of the dying, at Varanasi. JAnAti Ramah tava Nama ruchim MahEsa: JAnAti Goutama sati tava charana prabhAvam JanAtidorbala parAkramam Eesa chapa: JanAti amogha patu bAna gatim payOdhi :’ There is an almost endless repertoire of stotras, composed by well-known and not so famous poets, which provide a varied and uplifting fare to the palate of the Rama Bhakta, ever thirsty for more rasAnubhavam. If Sri Rama so wills, adiyen would like to continue on this some other time. Srimate Sri Lakshminrsimha divya paduka sevaka SrivanSatakopa Sri Narayana Yatindra Mahadesikaya Nama: -dasan, sadagopan. __________________________________________________ Do You Yahoo!? Buy the perfect holiday gifts at Yahoo! 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